He poured the gold coins into a sort of medi3Ž4val alms-purse hanging at his belt, repeating:
“The foot of the Princess Hermonthis, to be used for a paper-weight!”
Then turning his phosphorescent eyes upon me, he exclaimed in a voice strident as the crying of a cat which has swallowed a fish-bone:
“Old Pharaoh will not be well pleased; he loved his daughter–the dear man!”
“You speak as if you were a contemporary of his: you are old enough, goodness knows! but you do not date back to the Pyramids of Egypt,” I answered, laughingly, from the threshold. I went home, delighted with my acquisition.
With the idea of putting it to profitable use as soon as possible, I placed the foot of the divine Princess Hermonthis upon a heap of papers scribbled over with verses, in themselves an undecipherable mosaic work of erasures; articles freshly begun; letters forgotten, and posted in the table drawer instead of the letter-box–an error to which absent-minded people are peculiarly liable. The effect was charming, bizarre, and romantic.
Well satisfied with this embellishment, I went out with the gravity and price becoming one who feels that he has the ineffable advantage over all the passers-by whom he elbows, of possessing a piece of the Princess Hermonthis, daughter of Pharaoh.
I looked upon all who did not possess, like myself, a paper-weight so authentically Egyptian, as very ridiculous people; and it seemed to me that the proper occupation of every sensible man should consist in the mere fact of having a mummy’s foot upon his desk.
Happily I met some friends, whose presence distracted me in my infatuation with this new acquisition: I went to dinner with them; for I could not very well have dined with myself.
When I came back that evening, with my brain slightly confused by a few glasses of wine, a vague whiff of Oriental perfume delicately titillated my olfactory nerves: the heat of the room had warmed the natron, bitumen, and myrrh in which the paraschistes, who cut open the bodies of the dead, had bathed the corpse of the princess;–it was a perfume at once sweet and penetrating–a perfume that four thousand years had not been able to dissipate.
The Dream of Egypt was Eternity: her odors have the solidity of granite, and endure as long.
I soon drank deeply from the black cup of sleep: for a few hours all remained opaque to me; Oblivion and Nothingness inundated me with their somber waves.
Yet light gradually dawned upon the darkness of my mind; dreams commenced to touch me softly in their silent flight.
The eyes of my soul were opened; and I beheld my chamber as it actually was; I might have believed myself awake, but for a vague consciousness which assured me that I slept, and that something fantastic was about to take place.
The odor of the myrrh had augmented in intensity; and I felt a slight headache, which I very naturally attributed to several glasses of champagne that we had drunk to the unknown gods and our future fortunes.
I peered through my room with a feeling of expectation which I saw nothing to justify: every article of furniture was in its proper place; the lamp, softly shaded by its globe of ground crystal, burned upon its bracket; the water-color sketches shone under their Bohemian glass; the curtains hung down languidly; everything wore an aspect of tranquil slumber.
After a few moments, however, all this calm interior appeared to become disturbed; the woodwork cracked stealthily; the ash-covered log suddenly emitted a jet of blue flame; and the disks of the pateras seemed like great metallic eyes, watching, like myself, for the things which were about to happen.
My eyes accidentally fell upon the desk where I had placed the foot of the Princess Hermonthis.
Instead of remaining quiet–as behooved a foot which had been embalmed for four thousand years–it commenced to act in a nervous manner; contracted itself, and leaped over the papers like a startled frog;–one would have imagined that it had suddenly been brought into contact with a galvanic battery: I could distinctly hear the dry sound made by its little heel, hard as the hoof of a gazelle.
I became rather discontented with my acquisition, inasmuch as I wished my paper-weights to be of a sedentary disposition, and thought it very unnatural that feet should walk about without legs; and I commenced to experience a feeling closely akin to fear.
Suddenly I saw the folds of my bed-curtain stir; and heard a bumping sound, like that caused by some person hopping on one foot across the floor. I must confess I became alternately hot and cold; that I felt a strange wind chill my back; and that my suddenly rising hair caused my nightcap to execute a leap of several yards.
The bed-curtains opened and I beheld the strangest figure imaginable before me.
It was a young girl of a very deep coffee-brown complexion, like the bayadere Amani, and possessing the purest Egyptian type of perfect beauty: her eyes were almond-shaped and oblique, with eyebrows so black that they seemed blue; her nose was exquisitely chiseled, almost Greek in its delicacy of outline; and she might indeed have been taken for a Corinthian statue of bronze, but for the prominence of her cheek-bones and the slightly African fulness of her lips, which compelled one to recognize her as belonging beyond all doubt to the hieroglyphic race which dwelt upon the banks of the Nile.
Her arms, slender and spindle-shaped, like those of very young girls, were encircled by a peculiar kind of metal bands and bracelets of glass beads; her hair was all twisted into little cords; and she wore upon her bosom a little idol-figure of green paste, bearing a whip with seven lashes, which proved it to be an image of Isis: her brow was adorned with a shining plate of gold; and a few traces of paint relieved the coppery tint of her cheeks.
As for her costume, it was very odd indeed. Fancy a pagne or skirt all formed of little strips of material bedizened with red and black hieroglyphics, stiffened with bitumen, and apparrently belonging to a freshly unbandaged mummy.
In one of those sudden flights of thought so common in dreams I heard the hoarse falsetto of the bric-a-brac dealer, repeating like a monotonous refrain the phrase he had uttered in his shop with so enigmatical an intonation:
“Old Pharaoh will not be well pleased: he loved his daughter, the dear man!”
One strange circumstance, which was not at all calculated to restore my equanimity, was that the apparition had but one foot; the other was broken off at the ankle!
She approached the table where the foot was starting and fidgeting about more than ever, and there supported herself upon the edge of the desk. I saw her eyes fill with pearly-gleaming tears.
Although she had not as yet spoken, I fully comprehended the thoughts which agitated her: she looked at her foot–it was indeed her own–with an exquisitely graceful expression of coquettish sadness; but the foot leaped and ran hither and thither, as though impelled on steel springs.
Twice or thrice she extended her hand to seize it, but could not succeed.
Then commenced between the Princess Hermonthis and her foot–which appeared to be endowed with a special life of its own–a very fantastic dialogue in a most ancient Coptic tongue, such as might have been spoken thirty centuries ago in the syrinxes of the land of Ser: luckily, I understood Coptic perfectly well that night.
The Princess Hermonthis cried, in a voice sweet and vibrant as the tones of a crystal bell:
“Well, my dear little foot, you always flee from me; yet I always took good care of you. I bathed you with perfumed water in a bowl of alabaster; I smoothed your heel with pumice-stone mixed with palm oil; your nails were cut with golden scissors and polished with a hippopotamus tooth; I was careful to select tatbebs for you, painted and embroidered and turned up at the toes, which were the envy of all the young girls in Egypt: you wore on your great toe rings bearing the device of the sacred Scarab3Ž4us; and you supported one of the lightest bodies that a lazy foot could sustain.”
